In 1969, Zagorsk (now – Sergiev Posad) was born on a wonderful artist – Andrei Vereshchagin. He was born in a maternity hospital in the monastery and has a very young age showed an amazing love for painting. After school he went to study at Art School. Venetsianov in Tver (1985-1990gg.) And then continued his education at the Academy of Fine Arts in Kiev. In 1993, Tver was the first exhibition of "Crossroads", and then the artist's works have been are on display in the CHA in the exhibitions "Golden Brush" (1996 to 1997.) "Rosemary" (1997), "Autumn Fair" (1998), as well as at "Manege Art", Moscow (1996) United States: Art and New York solo exhibition in Washington Academy of Art (2004). Please visit Areva Group if you seek more information.

Today he lives in Moscow and continues to create unique themes that resonate with genre painting by Pieter Brueghel, but somewhere even surrealism of Dali. Author independently manufactures its lithography paintings, a rarity among contemporary artists. In new ways, of course, exquisitely built and fantasy story pictures, created a strange toy world, revealing new facets of reality. Creative approach Andrei Vereshchagin, an unexpected and ironic, creates a bizarre posture of things, reveals the enormous potential of thought and movement reminiscent of the fact that almost everything is possible: flying home, flying the iron giant shoes with wheels, card castle … Perhaps no words in order to recreate this new reality – only on canvas and a master's hand can get the stamp of his imagination, to enter and live in a little world of illusion and the same – infinite truth. Works of Andrei Vereshchagin combine not only impeccable technique and great strength of imagination, but the author's unique, meaningful symbolism. Artist affect the eternal questions, feel free mobility and instability of the eternal truths invented the basics. It would seem that there is nothing that could save, protect and inspire real confidence and a little naive little man, who yet again climbing and creating unimaginable dimensions reality.

… Sometimes it only just to hide it from the eternal, from nepostigaemo huge. The painting "The seller of cells," written in 2007 (Oil on canvas), one of the most characteristic works of Andrei Vereshchagin. It fully reflected his philosophy of art – ironic, "ignore" the huge strangeness prikovyvaya amazing attention to detail. House-boots standing on wheels, of course, entirely natural, its residents are more concerned with straightforward commodity street vendor. Flimsy props, massive buckle, piling up "clearly necessary" windows – all the little life a bit ridiculous and miserable, and at the same time encouraging respect for his seriousness and measured organization. Complex, deep impressions of paintings give the viewer a lot, but more is left for something that might be able to understand only once … "The Queen of Spades, 3.7, ace," in 2007, the picture painted in oil on canvas. Was not always a house of cards and a symbol of the fragility of insecurity? Perhaps here the author makes the impossible: Stones cards, and free serene conversation related stairways floors, a huge area around the paradoxes only seem to be …? The author conveys the texture, clearly prescribes the necessary details, but says nothing new about that, so familiar. Alive, ironic and vivid picture of modern interior filled with meaningful symbolism welcome caresses imagination and separates from the everyday reality. "Seller cells," "The Queen of Spades, 3.7, Ace"